In the Golden Dawn system, the diagrams shown during initiation are deliberately presented in stark black and white. This simplicity is not an oversight but a purposeful withholding. In the ritual space, the candidate is meant to encounter only the bare bones of the symbol, its outline, its geometry, its essential form, without the living force that colour brings. The black‑and‑white presentation mirrors the initiate’s own state: they are entering a grade but have not yet awa

When the individual and partial star systems were projected on the heavens, through the Golden Dawn tarot associations and Tree of Life of a Sphere documents, in incredible detail, using Sir William Peck’s Star charts as a baseline, there was virtually no information on how to use this information. It was intriguing, extremely detailed, and yet led nowhere. In my Talismans and Evocations of the Golden Dawn, I listed the magical influence of the star systems which was at least

Without any doubt, the two greatest influences on my work with myth and the Golden Dawn have been Joseph Campbell and, more recently, Thom Cavalli. Both have shaped my thinking in profound ways, yet they approach mythology through very different lenses. Campbell offers the sweeping, unifying vision, a grand narrative that ties the world’s stories together into a single heroic arc. Cavalli, by contrast, approaches myth as an alchemical process, layered, symbolic, and psycholog

Over the years, I have often been asked how my own Golden Dawn alchemical system of three , seven , and twelve stages fits together into a single coherent framework. The answer is far simpler than many expect, and it aligns closely with the colour harmonics of the Rose Cross Lamen , where the interplay of triads, septenaries, and dodecads forms a unified symbolic architecture. In alchemy, the three great operations, Separation , Purification , and Cohobation, provide the ove

One area that has been ignored in the Thoth deck is that Lady Frieda Harris’s work cannot be understood without recognizing the profound influence of her studies in geometric patterning under Rudolf Steiner. This is not the maths based outline, but applied to Rudolph Steiner’s lens of metaphysical art-forms. The two of swords is a good example where the flying white doves of peace form crosses around the swords as a background. These are the concepts that she absorbed from St

Across the ancient world, long before Christianity adopted the Jerusalem Cross as its emblem, cultures were already using cross‑within‑cross symbols  to express the structure of the cosmos. These early forms were not identical to the medieval Jerusalem Cross, but they carried the same essential meaning: a sacred center  radiating into the four quarters of the world . In Mesopotamia, for example, the symbol of the four winds and the four corners of the earth was drawn as a cen

The more one lingers with the Golden Dawn’s diagram of the Ten Sephiroth in the Seven Palaces, the more it becomes clear that it is not simply a symbolic representation but a semiotic environment, almost a habitat for consciousness. The initiate is not meant to stand outside the diagram as an observer; they are meant to enter it, to let its architecture reorganize their inner landscape. This is where Saussure’s insight into the relational nature of meaning becomes especially

In examining the Golden Dawn’s Sigil of Scales  paper, one is immediately struck by the lack of explanatory material. The document consists of a single sheet containing twenty diagrams, presented without accompanying text or interpretive guidance. The subsequent stage of their transmission occurs through their appearance on the tarot court cards, where they are embedded within the pictorial framework of the deck. This limited corpus provides little in the way of direct instru

Members of the Golden Dawn and its successor, the Stella Matutina, described the “Astral Masters” or “Secret Chiefs” in very different ways, depending on their own experiences and beliefs. Some initiates, such as S.L. MacGregor Mathers, insisted that the Secret Chiefs were real, living adepts who existed in physical bodies but remained hidden from the world. Mathers claimed to have received direct instructions from them, which gave him authority to lead the order. For him, th

The Sentinel lamen of the Stella Matutina, with its distinctive eye motif, is a fascinating example of how the successor orders to the Golden Dawn elaborated upon the original system. Unlike the lamens of the Hierophant, Hiereus, or Kerux, which are well-documented in Golden Dawn manuscripts, the Sentinel’s badge does not appear in the earliest records. Its introduction is most likely the Stella Matutina, and highlights the order’s tendency to deepen symbolic associations an

In the Golden Dawn’s fire wands, a magnetised steel rod was inserted within it. The size of the wand was little more than an old fashioned pencil in length and just over a CM in diameter. They were quite small, and at Whare ra temple in New Zealand they were given to the fledgling adepts (already built) to be painted. It appears that the founding fathers of the Golden Dawn did not want much of the wand visible after gripping it. Its origins appear to be based in the 18th and

The Golden Chain of Homer  (Aurea Catena Homeri) is one of the most influential alchemical texts of the eighteenth century, presenting a vision of the cosmos as a continuous chain linking spirit, elements, and matter. It begins with the divine spark, the invisible essence that descends into the world, and shows how this spark becomes clothed in the four elements, forming the foundation of all natural processes. The work is both cosmological and practical: it explains how crea

While endless speculation has circled around the origins of the four Colour Scales of the Golden Dawn, almost nothing has been said about their practical application. Theories abound about who designed them, when they first appeared, and how closely they were tied to later doctrinal accretions. Yet the far more important question, how these scales were actually used, has remained largely untouched. The Colour Scales were originally introduced at the Z.A.M. and T.H.A.M. levels

In the Magical Tarot of the Golden Dawn, The Temperance trump is associated to the alchemical sublimation process. I was curious enough to see how this association would stand up to being applied to the rejected version of Temperance, as shown in the Golden Dawn Portal ritual. If we take the concept of sublimation in its classical alchemical sense, where matter is driven upward by fire, purified in ascent, and made more spiritual, the rejected Temperance image   is the far mo

The seven subtle bodies described in Theosophy can be seen not as separate shells stacked upon each other, but as luminous states of awareness interpenetrating in graded densities, each one enfolding the next like waves of the same sea. They act much like holographic projections in which every point contains the total image, every fragment the memory of the whole. In this way, the human being may be understood as a living hologram of the cosmos, a radiant node within the grea

I have added a breakdown of Via in the first astrological house, as a follow up on my original post on Via, in order to show what can be done with Geomancy, if you are willing to work with it through an astrological lens. As a framer for this, I have to thank Nick Farrell, who 30 years ago, first sent me a copy of Christopher Cattan’s work, translated from the French By Francis Sparry, written in the 16 th  century. This was one of the primary books Mather’s drew his geomanti

Geomantic figures are the fundamental symbols of the Western divinatory system known as Geomancy, a complex synthesis of number, element, planet, and form, each expressed through a tetradic pattern of single and double points. At their simplest, these figures are binary arrangements, four lines of either one or two marks, yet within this apparent simplicity lies a profound symbolic architecture. Each figure represents a unique configuration of elemental and planetary forces,

In recent years, modern physics has begun to describe the universe in ways that echo the intuitions of Hermetic philosophy. The holographic theory proposed by David Bohm and Karl Pribram, and later popularized by Michael Talbot, presents the cosmos not as a machine of separate parts, but as an indivisible field where each fragment contains the totality of the whole. To the Hermetic Order of the Golden Dawn, founded in the late nineteenth century, this would have seemed a con

Combining Tai Chi with Golden Dawn ritual work offers a powerful synergy: Tai Chi grounds and refines your energy body, while Golden Dawn rituals focus and elevate your spiritual consciousness, together enhancing clarity, vitality, and magical effectiveness. Practicing Tai Chi alongside Golden Dawn ritual work creates a dynamic balance between Eastern and Western esoteric systems. Tai Chi cultivates Chi through slow, intentional movement and breath control, especially when fo

The post explores the symbolic and functional significance of the four Latin names surrounding the Tablet of Nalvage, as presented by...